How Mise- en- scene and Camera movement creates meaning in a scene from Mouline Rouge
Film: Moulin Rouge
Director: Baz Luhrmann
Year: 2001
Scene: ’Your Song’
Moulin rouge is set in the late 1800’s, in the decadent cabaret club in romantic
Paris. Christian and Satine are together for the first time in my chosen sequence.

Saltine’s mysterious character is represented through her costume, which is black lingerie with black stiletto heels. This provocative costume signifies not only the dark side of her character but also her intimate relationship to the Moulin rouge, a place of debauchery and sex. Her flame red hair and painted red lips show that she is a temptress, highly sexual and passionate. Saltine’s hair is untamed and wild, suggesting that she spends most of the day in bed with a man. She is clearly represented as being a promiscuous woman, one who sleeps with many men. Christian is also dressed in black, this coincidentally signifies the connection between these two lovers. He wears a suit indicating his professional status as a novelist and also showing the contrast of the different worlds that these two are from- one highly respectable and one highly salacious. The setting supports there ideas about Satine as she sleeps in a red velvet bedspread and her décor is also red.

There are heart shaped ornaments that represent her passionate lifestyle or perhaps a longing for love- a contradicting character.
A high angle shot first introduces us to Satine while she wriggles around on the bed. The high angle shows how ridiculous she looks; this clearly influences the audience to view her as foolish and almost childlike, There is a shot reverse shot from her to him to show that her actions are nothing to do with what he is saying and she is making it hard for him to get all of his words out. The shot reverse shot is from her rolling around on the floor groaning, to him attempting to get his words out and looking at her puzzled to what she is doing.

The camera is a low angle when it cross cuts to him to show is maturity and him stating the real reason why he is there and not jumping into bed with her, this would impress the audience as they would think he is a gentleman for not taking the chance most men would take. When Satine Begins to crawl on the floor on her stomach in her black lingerie moaning and groaning the audience sees the dark side of the Moulin Rouge that it is not all about having fun on both sides, it is a routine of how to survive being a women in the 1800’s.
There is a shallow focus on Christians back from the bright lighted
Paris background in front of him as when he sings he is the most important thing at that moment and our attention would be focused on him.

We then get a point of view shot of Paris in the night where he sings into the air, all the houses lights turn on as they heard his voice. There is also iconography used in this scene as we see a landmark of Paris, the Eiffel Tower, the lighting in this scene is bright and stands out among the night. Cross cutting is frequent in this scene as we preview it again when Christian turns around and the facial expression of Satine is speechless as she is dazzled by his voice. We are seeing point of view shots from both characters as they are both looking at each other while this is happening. This means that they both are entranced by each other, also seeing both characters point of view we the audience can understand that the only thing they are focused on is each other. While Christian is singing the camera stays on him and the camera is not completely still we can assume that a hand held camera is being used at this moment to create a more intense effect on his singing to represent realism to the situation, there is a pull of focus used from shallow focus of a mid shot of Christian to Satine behind him, the camera is following his every move, as Christian turns around we are seeing what he is seeing as if he is the camera. Satines personality is about survival as her motive is to find a wealthy man and have him pay for her to become a real actress; this is shown through her performances to other characters as she pretends to be something which she is not, although Christian sees through her act and makes her feel more then an object. 
An over the shoulder shot is used twice, once for Satine to look at Christian and one for Christian to look at Satine, this signifies their bond with each other and how they are so close after a few moments together. As the pair begin to spin together the camera shifts forward to get closer to them, this makes the romance of the scene more intense as it builds up the fantasy of love, the idea caters to the audience being aimed at women as they have the stereotype of having emotional attributes and that being emotional is part of there femininity. By Satine’s associated mise en scene such as her costume and living accommodations, we know that she is a provocative character, but through the camera angles we can see that she experiences more love related emotions instead of lust since she is looking directly at Christian with a simple smile.

There is a long shot of the two leaping through the air to get to another place, as we view this the audience can briefly preview the setting once more as the stars are out in the sky, there are lights around all corners of the buildings and a shade of blue is constant. This switches the beginning scene from a repetition of red representing lust to a blue, which could symbolise dreams and care freeness. In the background of this fantasy there is the iconography of the
Eiffel Tower as it builds up the romance of being in love in
Paris.

The bright moon in the background is animated it also sings ‘ the man in the moon’, this is known as intertextual references, this animation of the moon singing can be related to the first ever film made called ‘ Trip to the Moon’. The fact that the moon is a cartoon character reveals that the movie was a French film. Since similarities in both films use the setting of
Paris and fantasy references such as animated moons. There are similarities between these two films which are that, Moulin Rouge is also set in France, these connections could reveal that the Moulin Rouge was duplicating the first French movie made, the moon in the first French film was shown as an over seer and the French film ‘trip to the moon’ also shows showgirls which is similar to Moulin Rouge as it also portrays the prostitution in Moulin Rouge.
This setting also sets the scene for romance as it has all the factors of a romantic night. It caters to the illusion the female audience wants which is to experience fantasy love.

There is a low angle shot of the two under a red umbrella as there are ‘stars’ falling on them show that together they are more alive and happy then being on there own, and that love is just what they needed. The Moulin Rouge is a theatre, which is a show within a show, which is to demonstrate that the director wanted to make it obvious it’s a show and that it is opposite to realism.
Again fantasy is backed up as they reach there destination, there is flutters of something shinny falling through the sky which can be associated with stars. Iconography is used yet again as the
Eiffel Tower is shown to set the scene. The
Eiffel Tower is the icon of France but especially Paris, the
Eiffel Tower is known to be very romantic and so is
Paris since there are stereotypes that
Paris is the place to find love and romance. The
Eiffel Tower is revealed in this scene to be a stage setting that shows the audience they are living in a theatre. While they are in the fantasy sequence their costume turns shiny and glisten which they didn’t before, it resembles a fantasy of everything being perfect when you are in love.
Mise-en-scene and cinematography contradict each other in this scene as Satine is powerful in her costume as she is dressed in flattering clothes, but is dominated by men in camera shots, as there are many high angle shots looking down at her by Christian, this contradiction reflects her life and how she has to depend on men to further herself.